Love Nature

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The influx of technology has provided us with so many opportunities. With the swipe of our fingertips we can look up anything, order rare items, and our children can independently learn and play quietly. Although these things fulfill some of our need for forward momentum and intellectual growth there is another human need they cannot satiate. In 1984 Edward Olson coined the term biophilia to describe the tendency humans have towards connecting with nature and other forms of life. Humans, especially the young child, have an urge to be immersed in and connected with nature.

In his book “Last Child Left in the Woods: Saving Our Children from Nature Deficit Disorder,” Richard Louv discusses a growing national trend to keep children inside out of fear of harsh or unsafe conditions in favor of indoor and often technological stimulation. He stresses the importance of providing our children with experiences outdoors to foster their innate love of the natural world. In the book, Louv offers actions and discussion points for connecting children and communities to nature.

Louv suggests specific ways that spending time outside supports the child’s healthy development. Think about making a fort out of sticks in the woods. There is no one right way to build the fort—possibilities are endless and creativity is not only allowed, but necessary for success. The child will have to manipulate large objects, moving blood and focusing the mind. The stimulation (or lack thereof) in a stand of trees reduces stress and can act as a powerful form of therapy. The immense variety and diversity found in nature provide endless sensorial experiences to enrich the child’s understanding of the world.

This week, the trees glistening with the weight of snow reminds me just how beautiful each component is. The bare branches stand strong against the harsh winter; meanwhile, the dancing snow shows us the playful side of cold, windy days. Montessori recognized the human desire to be surrounded by nature and now more than ever it is necessary to encourage this tendency in our children and ourselves. So while indoor technology may offer easy refuge from harsh conditions, we owe it to the children to continue to prioritize providing them with the enrichment only nature can fulfill.

“There is no description, no image in any book that is capable of replacing the sight of real trees, and all the life to be found around them, in a real forest. Something emanates from those trees which speaks to the soul, something no book, no museum is capable of giving.” (Maria Montessori, Childhood to Adolescence)

-Sarah Shay, DMA PEN Newsletter December 2016

DMA 2017 Summer Camp

Summer brochures are now available online. Registration for the camp is due by May 5th and is open to all students. We hope you can join us this summer!

DMA Summer Camp: Children’s House

DMA Summer Camp: Elementary


Cultivating Creative Confidence Through Conversation: Talking With Your Children About Their Artwork

“A little confidence in creativity leads to a lot of confidence in everything else” –David Kelley, Creative Confidence: Unleashing the Creative Potential Within Us All

As an artist and art teacher, I spend a lot of time engaged in conversations about creativity. So often, in my discussions I hear adults say “Oh, I’m not creative” or “I don’t have an artistic bone in my body” or “I can’t even draw a straight line” or something that completely dismisses their inherent human creativity. When I probe these statements further, I find out that most adults have experienced what I dub as an “art trauma.” This is the moment when one decides to throw in the creative towel because the perceived risks are too great. Most people can remember this exact moment in their childhood. It usually has to do with what someone said or responded to their artwork.

For example, this summer I was talking to a parent of one of my students who adamantly insisted that she was not creative. After I told her my theory of “art traumas” she told me her story. She remembered the exact moment. She was in the 4th grade and had drawn a bear to express her feelings about a particular experience. She was so proud of her artwork, but when the teacher came around she gave her a disgusted look and said, “Ugh, what is that?”. She remembered feeling incredibly crushed and vulnerable after she had worked so hard and was so proud of creation. After this moment she decided to creatively shut-down as a way of self-preservation. Unfortunately, I feel that this can be a typical experience of many adults.

Correspondingly, Pablo Picasso once said, “The creative adult is the child that survived.”  It is my goal as an art teacher that all my students “survive” to become creative adults. That they feel confident in their creativity, curious about the world, feel comfortable taking risks, and become active participants in re-imagining a better world regardless of the result. One way I make sure that this happens is by the language I use when I talk to them about their artwork. When we talk to children about their creations we need to make sure we encourage their innate creativity instead of extinguishing it. In the rapidly changing 21st century, the most important asset we have is our creativity.

As a parent you can encourage creativity in your children by thinking about the questions and comments you make while a child is creating. The table below can provide you with some examples of how to encourage the creative process and what to avoid.

Inappropriate Questions and Comments Explanation Appropriate Questions and Comments Explanation
What is that?


It can be very disappointing to a child if you can’t figure out what they’ve created. Ask open-ended questions and let them tell you what it is. What can you tell me about your piece of work?


This allows the child to share what they have been working on in their own words. This also allows you to avoid guessing what they’ve created if you are unsure.
I love that dog you painted.


Never assume you know what they’ve created. Try to avoid being too specific until the child has given you information. What gave you the idea to create this?


This encourages children to think about what they’ve created and will allow them to tell you their idea behind the creation.
You must have been sad when you wrote that.


Do not assume you know what a child was feeling when they created something. Let them tell you — it will give them a chance to discuss their feelings but not feel uncomfortable.


What is your favorite part about it? How were you feeling when you created this?


These open-ended questions give children a chance to think about what they like about their piece of work. They might choose the topic or the color or something completely different. It also is the best way to give children the chance to discuss their feelings without pressure.
It looks like you need to work on your cutting skills.


Try not to judge or critique a child’s skill level when they are working on a creative project. There is a time for skill-building activities; you can easily discourage their creativity if you constantly point out the negative. What title would you give it?


This question give you an idea of what makes this piece important to the child. It also gives them ownership over their work.

One of the best ways to help prepare our children for the future is by cultivating their creativity. One way this can be done is through the conversations we have with them, especially about their artwork. Today’s children will likely grow up in a world very different from that of the present, working in careers that do not yet even exist, using methods and technologies that not yet have been invented, and valuing commodities that not yet have been created (Trilling & Fadel 2009). As a society we cannot afford to have our children’s creativity crushed by “Art Traumas”.

To thrive in the future, we need people who can think creatively and find innovative solutions to problems. As author Ken Robinson explains, “Creativity is the greatest gift of human intelligence. The more complex the world becomes, the more creative we need to be to meet its challenges.” Talking to your children about their artwork can be one way of ensuring their inherent creativity flourishes as they continue to grow.

-Jenny Urbanek, DMA PEN Newsletter November 2016

Works Cited

Isbell, Rebecca and Sonia Akiko Yoshizawa. Nurturing Creativitiy: An Essential Mindset for Young Children’s Learning. National Association for the Education of Young Children 2016
Kelley, Tom, and David Kelley. Creative Confidence: Unleashing the Creative Potential Within Us All. Random House, 2013.
Robinson, Ken. Out of Our Minds: Learning to be Creative. Capstone, 2011
Trilling, Bernie and Charlie Fadel. 21st Century Skills: Learning for Life in Our Times. Jossey- Bass, 2009.
Virtual Lab School. Cultivating Creativity and Innovation: Experiences and Activities, 2016.    Accessed 09 Nov. 2016.

Key Points of Montessori Philosophy

Freedom: A child in order to develop his physical, intellectual, and spiritual powers to the fullest, must have freedom – a freedom that achieved through order and self-discipline, a freedom with responsibility.

Prepared Environment: A Montessori classroom is one that possesses a certain order and so disposes the child to develop at her own speed, according to her own capacities, in a non-competitive atmosphere. It is an environment that ensures success before failure.

Inner Discipline: If a child is free to learn because of exposure to both physical and mental order, that is inner discipline. This is the core of Dr. Montessori’s philosophy. Patterns of concentration and the thoroughness established in early childhood produces a confident and competent learning in later years

Joy of learning: The “prepared environment” introduces the child to the joy of learning at an early age and provides a framework in which intellectual and social discipline go hand in hand so that the child may respond to life with her complete personality.

Absorbent mind: From the moment of birth each child has a mind to absorb (take within) knowledge. Each child has the power to teach himself.

Sensitive periods: Each child passes through “sensitive periods” that are successive stages of development. During a particular sensitive period, a child shows an insatiable hunger for the acquisition of some particular knowledge or skill.

Movement and learning: A child needs to move as she learns (physical movement), and needs to learn coordination also.

-Amy Goodenough, DMA PEN Newsletter, October 2016

3rd Graders Presented with Giveback Check

John Rosetto, owner of Transfer Pizzeria, stopped by to present the third graders with a check for the amount that was raised for the giveback week in January. The boys and girls are very excited for their trip to Camp Minikani at the end of the month. They would like to thank both Transfer and Classic Slice, who also fundraised for this trip, for helping make this trip possible.